Murals

I had an interest in the arts, but it wasn’t just sort of the beautiful arts. It was more the question of the content and the necessity, the need to bring important content to the public
— Mark Rogovin

 

Peace

Program to Excite Potential (P.E.P.)
Saratoga Springs, NY
16’ x 24’
1969

Unity of the People

3932 W. Madison
20’ x 60’
1970

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Letter to Mark’s parents

Unity of the People tells the story of people of all ages and races coming together. Rogovin and Highfill asked neighborhood residents for their input on who the mural should depict, ultimately selecting Dr. Martin Luther King Jr., Harriet Tubman, Malcolm X, and W.E.B. DuBois. They are shown with their hards extended, ready to accept, support, and inspire the people on the street. Rogovin and Highfill painted the mural with the help of a large team of youths from the West Side community. The mural took two-and-a-half months to create and was officially dedicated on July 19, 1970. -Chicago Mural Movement Project

Protect the People’s Homes

Irving and Sheridan
40’ x 55’
1970

Protect the People’s home was painted in 1970 in the Uptown neighborhood in Chicago in response to Urban Renewal. Painted on the side of a health clinic it was painted over two years later.

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“Many people coming by daily + ask about the + speak in praise of the mural. “ - Mark letter to parents

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Free Angela Davis, Free All Political Prisoners

Museum of Contemporary Art
1971

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“It was really a great time for us, we had a chance to talk to the public; people could walk into our studio area and I developed this piece on Angela Davis and it was a piece that was meant to travel. I don't remember how many venues it went to but I remember one where Sallye Davis, Angela’s mother, came and it was a precious event. But we had, or it was determined, that Bill Walker and Edaw and John Weber and I were to be a part of it and at some point we made this decision to bring in Patlan and that was really a good decision.

Plus we got to purchase whatever paint we wanted and so we ordered the polytech acrylic, which was the best acrylic in the world and by far the most expensive acrylic in the world, and when we finished with the projects it continued to supply the mural movement in Chicago for endless projects! It was great stuff.” -Never The Same interview with Rebecca Zorach

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“Ted Pearson is completing an article on the ‘Free Angela’ mural for the DW [Daily World] magazine + it should be published for the June 25 weekend edition. Second City Magazine who 'Protect the People’s Home’ + who publishes every 6 weeks another mural on the cover, will be printing Free Angela on the cover to overlap back to front.” - Mark letter to his parents.

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Break the Grip of the Absentee Landlord

5219 W. Madison St
43’ x 60’
1973

“…at 5219 West Madison, Laramie, and Madison, and that's on the issue of the absentee landlord and on housing. And you really, you know if you're not a part of the community, or haven't lived there for a long time, you've really got to feel out issues. And in that community the issue really was housing. A group called Organization For A Better Austin, at that time, was extremely active in the community coordinating rallies and pickets of absentee landlords and slumlords on the west side. And so, it was in consultation with, actually, Gail Cincotta and others from OBA that we started to develop a theme. They talked it out verbally, in terms of different ways to, you know, attack the landlord and get concessions from the landlord. And it was our problem to put into visual terms or visual symbols, so that we could, sort of, get across what they had verbalized. And the team were mainly young people from the immediate community. And we talked down, we sat down and interviewed different people about approaches to the issue, the absentee landlord, and then we went back and started to sketch. And once our sketches were finished, we'd show them to people. You know, can you understand even on the sketch level, what does it mean. And if it doesn't come across in sketch level, and we'll back up and do some reworking. I mean, we want to guarantee that the theme is understood by the vast population of people.”

-Ray Patlan and Mark Rogovin discuss wall art with Studs Terkel

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Hazel Williams, a Black junior at SAIC will be my paid assistant + I will begin setting up meetings to determine subject matter + mural location. I’ve been eyeing a fantastic wall + the theme will be around the subject of absentee landlords-Housing etc. + the meetings will establish verbal ideas as to how the people can deal with housing. - Letter from Mark to his parents

National Headquarters Young Lords Organization

Pre 1973

This mural adorns the present-day Armitage Avenue Methodist Church (then the Young Lords' People's Church and national headquarters of the Young Lords Organization (YLO)) in Lincoln Park. The mural text, "Tengo Puerto Rico en mi Corazon" translates to "I have Puerto Rico in my heart." The raised fist holding a gun signifies, solidarity, strength, and the YLO's unapologetically militant platform. The mural also depicts Che Guevara, Argentine Marxist revolutionary, leading figure of the Cuban Revolution, and a role model for YLO members. Point number 11 in the Young Lords Party 13-Point Program and Platform reads, "WE ARE INTERNATIONALISTS....We will defend our sisters and brothers around the world who fight for justice and are against the rulers of this country. QUE VIVA CHE GUEVARA!" - Chicago Mural Movement

Comprehensive Pictorial History of Rockford

19’ x 89’
1975

Peace Mural

Columbia College Chicago
8’ x 36’
1981

Silhouette Murals

La Rabida

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Mark with muralist Eugene ‘Eda’ Wade

Mark with muralist Ray Patlan

Mark’s Mural Brushes

Mark’s Mural Brushes

 “My latest mural is 4 good work days from complettion, 4 days, not raining + over 42°. We returned the scaffolding + I borrowed and extension ladder that I will complete the project in that fashion. Last night I got a call from one of the muralist who wanted my address to send me an invitation to his mural dedication this Sunday. Well he commented that this mural distinctly different from all the mural in Chicago and he was affected by it. That the mural was dealing with a specific issue for a specific community and that it was easily readable.

So I’ll take off from that first to say I was proud of the compliment for I know what he driving at + it gives me more might + support to what I have been working to do.

Every mural is something special, never routine never stagnant.” Letter to parents 1972